{"id":537,"date":"2026-07-13T17:23:22","date_gmt":"2026-07-13T16:23:22","guid":{"rendered":"https:\/\/www.vincentdulom.com\/editorial\/?p=537"},"modified":"2026-10-20T14:44:33","modified_gmt":"2026-10-20T13:44:33","slug":"vincent-dulom","status":"publish","type":"post","link":"https:\/\/www.vincentdulom.com\/editorial\/biographie\/537","title":{"rendered":"vincent dulom"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">N\u00e9 en 1965 \u00e0 Bagn\u00e8res-de-Bigorre, Vincent Dulom vit et travaille \u00e0 Paris. <br>Il est soutenu par L\u2019ahah (Paris).&nbsp;<a href=\"http:\/\/www.lahah.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">www.lahah.fr<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Born in 1965 in Bagn\u00e8res-de-Bigorre, Vincent Dulom lives and works in Paris. <br>He is supported by L\u2019ahah (Paris).&nbsp;<a href=\"http:\/\/www.lahah.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">www.lahah.fr<\/mark><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/10\/2026-10-20-CV-a-la-francaiseFr-En.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">T\u00c9L\u00c9CHARGER LE CV \/ DOWNLOAD THE CV<\/mark><\/a><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/vincent_dulom_dossier_artistique.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/vincent_dulom_dossier_artistique.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">T\u00c9L\u00c9CHARGER LE DOSSIER D\u2019ARTISTE \/ DOWNLOAD THE ARTIST FILE<\/mark><\/a><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.vincentdulom.com\/pdf\/catalogue_etc.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">T\u00c9L\u00c9CHARGER UN CATALOGUE \/ DOWNLOAD A CATALOGUE (FR-EN)<\/mark><\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-1&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-1-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-1\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong><em>L\u2019oeuvre en question \u2013 Vincent Dulom<\/em><\/strong> (vid\u00e9os)<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-1\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-1-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><em>Entretien avec Claire Chesnier<\/em>, 6 vid\u00e9os, 2020.<br>Cha\u00eene YouTube de L\u2019ahah ; Production&nbsp;: L&rsquo;ahah \/ lahah.fr<br>R\u00e9alisation : Jean-Nicolas Schoeser \/ trystero.fr<br><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.Presentation.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 0 : Pr\u00e9sentation : Approche de l&rsquo;\u0153uvre &#8211; La gen\u00e8se du travail (dur\u00e9e : 03:37)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.1.Geste_.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 1 : Quand le geste s\u2019absente &#8211; Une peinture sans limite (dur\u00e9e : 03:45)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.2.Organique.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 2 : Construire un rapport organique \u00e0 la peinture \u2013 La fluidit\u00e9 en tout (dur\u00e9e : 03:49)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.3.NonLieu.DEF-SD-480p.mov\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.3.NonLieu.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 3 : Non-lieu de la couleur \u2013 Les temps de la peinture (dur\u00e9e : 03:55)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.4.Ciel_.DEF-SD-480p.mov\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.4.Ciel_.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 4 : D\u00e9border la surface \u2013 l\u2019\u00e9paisseur du r\u00e9el (dur\u00e9e : 05:38)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.5.Corps_.DEF-SD-480p.mov\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.5.Corps_.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 5 :&nbsp;La peinture comme corps \u2013 dans l\u2019\u00e9cart, la rencontre (dur\u00e9e : 06:35)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.6.Aveugle.DEF-SD-480p.mov\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Dulom.SEQ_.6.Aveugle.DEF-SD-480p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">\u00c9pisode 6 : Une t\u00e2che aveugle \u2013 le regard renouvel\u00e9 (dur\u00e9e : 05:03)<\/mark><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-2&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-2-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-2\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">biographie (FR)<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-2\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-2-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Qu\u2019il s\u2019agisse de peintures, de dessins ou de films, ses \u0153uvres, minimales et contemplatives, offrent une pr\u00e9sence incertaine. Proches de l\u2019\u00e9vanescence, elles engagent physiquement le spectateur qui en fait l\u2019exp\u00e9rience. Leurs installations, avec l\u2019\u00e9conomie de moyens et la discr\u00e9tion qui les caract\u00e9risent, interrogent les lieux qui les accueillent pour en dessiner une approche critique, sociale et politique. Elles r\u00e9v\u00e8lent aussi les directions fondamentales du travail, celles de la retenue, de la mise en regard et du non-agir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pr\u00e9sent en collections publiques et priv\u00e9es (FRAC Auvergne, FRAC Franche-Comt\u00e9, FRAC Sud, Fondation Agn\u00e8s b, Collection Fr\u00e9d\u00e9ric de Goldschmidt), son travail est expos\u00e9 r\u00e9guli\u00e8rement en France et \u00e0 l\u2019\u00e9tranger depuis une vingtaine d\u2019ann\u00e9es. En 2025, il expose dans l\u2019exposition&nbsp;<em>Dans le flou<\/em>, au Mus\u00e9e de l\u2019Orangerie \u00e0 Paris et \u00e0 la CaixaForum de Madrid, puis en 2026 \u00e0 la CaixaForum de Barcelone. Ses \u0153uvres ont \u00e9t\u00e9 montr\u00e9es en 2022 et 2019 \u00e0 L\u2019ahah, \u00e0 Paris et \u00e0 la chapelle du Quartier Haut \u00e0 S\u00e8te ; en 2018, \u00e0 L\u2019Art dans les Chapelles ; en 2017, \u00e0 la BF15 hors les murs, \u00e0 l\u2019occasion de la Biennale de Lyon. En 2016, il a expos\u00e9 \u00e0 l\u2019H\u00f4tel de l\u2019Industrie \u00e0 Paris. En 2013 et 2010, il a particip\u00e9 \u00e0 la Nuit Blanche \u00e0 Paris, en tant qu\u2019artiste associ\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab&nbsp;Dans sa p\u00e9r\u00e9grination artistique, Vincent Dulom s\u2019est d\u00e9barrass\u00e9 de toute notion de style, pour rester \u00e0 distance de l\u2019\u0153uvre et mieux en accompagner les occurrences. Il produit des peintures en d\u00e9posant en un passage unique, sur la toile ou sur le papier, une pellicule de pigments par le biais d\u2019une imprimante ; formant un halo ou une nappe color\u00e9e \u00e0 la surface du support. Le proc\u00e9d\u00e9 de l\u2019artiste, plein de retenue, peut ainsi laisser la forme \u00e9merger seule et offrir ses variations infimes. S\u2019ensuivent, pour le-la spectateur-rice comme pour l\u2019artiste, des rencontres \u00e0 l\u2019int\u00e9rieur de ce travail, des ph\u00e9nom\u00e8nes advenant sans pr\u00e9venir, au cours du temps pass\u00e9 avec lui : l\u2019apparition d\u2019une ombre au centre du halo, par exemple, ou la dissipation progressive de ce dernier \u00e0 force d\u2019\u00eatre soutenu par le regard. Le transcendant devient simple contingence, il peut appara\u00eetre ou dispara\u00eetre dans les limites du champ sensible. Son \u0153uvre permet de penser dans la perception de l\u2019instant un ailleurs et un temps plus vaste. L\u2019exp\u00e9rience de chaque peinture implique le corps du-de la spectateur-rice, qui doit chaque fois se placer par rapport \u00e0 elle, afin de l\u2019\u00e9prouver ; c\u2019est \u00e0 son rapport physique au monde, qu\u2019elle en appelle. Le devenir de ses \u0153uvres est une affaire de coordonn\u00e9es et de points de vue ; de positionnement dans le temps et dans l\u2019espace \u2013 en bref, il assume la dimension tragique de l\u2019existence. Quant aux dessins, faits de tiges souples de m\u00e9tal, ils se performent et prennent forme \u00e0 la mani\u00e8re d\u2019augures, laissant le geste, et la r\u00e9sistance de l\u2019air, agencer des lignes dans un cadre arbitraire, gr\u00e2ce \u00e0 des protocoles volontairement approximatifs. Car les rencontres ne peuvent se jouer qu\u2019au c\u0153ur de l\u2019approximation ; et l\u2019\u0153uvre doit demeurer ouverte.&nbsp;\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antoine Camenen,<br>texte de pr\u00e9sentation de l\u2019artiste, L\u2019ahah, 2019.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-3&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-3-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-3\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\">biography (EN)<\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-3\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-3-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Whether it\u2019s paintings, drawings, or films, his works, minimal and contemplative, offer an uncertain presence. Close to evanescence, they physically engage the viewer who experiences them. Their installations, characterized by economy of means and discretion, question the spaces that host them to outline a critical, social, and political approach. They also reveal the fundamental directions of the work: restraint, juxtaposition, and non-action.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">His work can be found in public and private collections (FRAC Auvergne, FRAC Franche-Comt\u00e9, FRAC Sud, Fondation Agn\u00e8s b, Collection Fr\u00e9d\u00e9ric de Goldschmidt), and has been exhibited regularly in France and abroad for some twenty years. In 2025, he exhibited in the&nbsp;<em>Dans le flou<\/em>&nbsp;exhibition at the Mus\u00e9e de l\u2019Orangerie in Paris and at the CaixaForum in Madrid, then in 2026 at the CaixaForum in Barcelona. His work was shown in 2022 and 2019 at L\u2019ahah, Paris, and at the Chapelle du Quartier Haut in S\u00e8te; in 2018, at L\u2019Art dans les Chapelles; in 2017, at the BF15 hors les murs, on the occasion of the Lyon Biennial. In 2016, he exhibited at the H\u00f4tel de l\u2019Industrie in Paris. In 2013 and 2010, he took part in Nuit Blanche in Paris as an associate artist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab&nbsp;In the course of his artistic peregrinations, Vincent Dulom shed all concept of style in favour of detachment from the artwork and better control of its occurrences. He produces paintings at a single stroke by using a printer to lay a film of pigments on paper or canvas, the result being a halo or a layer of colour. Exemplary in its restraint, this procedure can allow the form to emerge alone with all its tiny variations. This is followed, for artist and viewer alike, by encounters within the work, phenomena happening out of the blue during the time spent with it: a shadow taking shape at the centre of the halo, maybe, or the gradual dissipation of the halo under the unrelenting pressure of the gaze. The transcendent becomes mere contingency, capable of appearing or disappearing within the boundaries of the sensory domain. Dulom\u2019s work lets you conceive, in the very moment of perception, of a somewhere else and a vaster time frame. The experience of each painting involves the body of the spectator, who must, each time, measure him- or herself against it; the summons is to one\u2019s physical relationship with the world. The evolution of Dulom\u2019s works is a matter of bearings and points of view, of positioning in time and space: in short, he accepts the tragic dimension of existence. The drawings, made of flexible metal rods, do the necessary and take shape like omens, leaving the creative act and the resistance of air to arrange them into lines in an arbitrary setting following deliberately approximate protocols. Encounters can only happen at the core of approximation; and the artwork must stay open-ended.&nbsp;\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antoine Camenen<br>for L\u2019ahah, 2019 \/ English translation : John Tittensor<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-4&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-4-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-4\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>expositions personnelles \/ solo shows<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-4\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-4-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2023-24<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1_DSC_3559.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Du temps \u00e0 l\u2019autre<\/em>, Galerie ETC, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1_vue_dexposition_Vincent_Dulom_Tracer_le_peu_\u00a9Marc_Domage_Lahah_28.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Tracer le peu<\/em>, L\u2019ahah #Moret, Paris, France. Commissariat : Marie Cantos<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1_-\u00a9-Marc-Domage.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Perc\u00e9e #1<\/em>, L\u2019ahah #Moret, Paris, France. Commissariat : Marie Cantos<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Griset-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Perc\u00e9e #2<\/em>, L\u2019ahah #Griset, Paris, France. Commissariat : Marie Cantos<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Chapelle-du-Quartier-Haut-Sete-2.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>User le peu<\/em>, Chapelle du Quartier Haut, S\u00e8te, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/2-\u00a9-V.Dulom_.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Entre tant<\/em>, Chapelle de la Trinit\u00e9, Castannec-Bieuzy, L\u2019art dans les chapelles, France. Commissariat : \u00c9ric Such\u00e8re<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/exposition-Capsule-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Macula<\/em>, Capsule Galerie, Rennes, France. Commissariat : Cl\u00e9ment Poulain<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/3.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Hic &amp; nunc<\/em>, en R\u00e9sonance avec la 14<sup>e<\/sup>&nbsp;Biennale de Lyon, La BF15 hors les murs \/ ATC groupe, Rillieux-la-Pape, France. Commissariat : Christophe Aussenac &amp; Perrine Lacroix<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"> <\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/P1030317-HD-1080p.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">[t\u00e9l\u00e9charger &#8211; film 1 minute]<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2016<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Expo-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>La claire-voie<\/em>, H\u00f4tel de l\u2019Industrie, Paris, France. Commissariat : Sobering Galerie<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/IMG_0502_NB_WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Plus Une Pi\u00e8ce<\/em>, Une Pi\u00e8ce en Plus, Paris, France. Commissariat : Muriel Leray &amp; Elsa Werth<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1-Vincent-Dulom-Nuit-Blanche-Photo.-Fabrice-Seixas.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019entre ciel<\/em>, Galerie Saint-S\u00e8verin, Paris, France. Commissariat : G\u00e9raldine Dufournet<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>D\u00e9dale<\/em>, (prod. CIC, Dock Art Fair et Galerie Leonardo Agosti), Si\u00e8ge social CIC, Lyon, France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/LaBF15-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019entre sourd<\/em>, La BF15, Lyon, France. Commissariat : Perrine Lacroix<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB_DSC8071.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Variation #1<\/em>, Galerie Lambert, Bruxelles, Belgique.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB_IMG_4572-copie.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019entre<\/em>, Galerie Leonardo Agosti, S\u00e8te, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/111-bis.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019\u00e9cart\u00e9 d\u2019ombre<\/em>, La fabrique, Toulouse, France. Commissariat : Bertrand Meyer-Himhoff<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1.-L08061105-jet-dencre-sur-toile-epinglee-au-mur-2008-lenticulaire-dombre-technique-mixte-sur-papier-o11cm-support-en-PTFE-o-80cm-2008\u00a9-jennifer-Douzenel-courtesy-the-artist.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Espac\u00e9 d\u2019ombre<\/em>, Galerie Nivet-Carzon, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2007<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/rideau-entier-photo-carree.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019\u00e9chapp\u00e9e d\u2019ombre<\/em>, Galerie La Tangente, Marseille, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2005<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/031.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Lenticulaires d\u2019ombres<\/em>, Espace III, Espace Croix-Baragnon, Toulouse, France. Commissariat : Arlette Mali\u00e9<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2004<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/2004-Venise-WEB-site.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>L\u2019observatoire originel<\/em>, Palazzo Zorzi, Bureau de l\u2019UNESCO, Venise, Italie.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1997<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1997-Montemaggiore-WEB-Site.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Scrute le sombre<\/em>, Chapelle Saint-Renier, Montemaggiore, France.<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1997-lile-rouse-WEB-site.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Peintures sur papier<\/em>, L\u2019Atelier, L\u2019\u00cele Rousse, France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1997-Bastia-WEB-site.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Le passage<\/em>, Centre Culturel Una Volta, Bastia, France. Commissariat : Dominique Matt\u00e9\u00ef<\/mark><br><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-5&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-5-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-5\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>expositions en duo &amp; collaboration \/ duo shows &amp; team work<\/strong> <\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-5\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-5-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2024-25<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-vue-1-\u00a9-Vincent-Dulom-copie.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Eve Gramatzki \/ Vincent Dulom, Galerie ETC, Paris, France. Commissariat : Thomas Benhamou<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2020<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1_\u00a9-V-Dulom.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Peintures pour le Quatuor \u00e0 cordes n\u00b02 \u00ab&nbsp;Br\u00e8ches&nbsp;\u00bb<\/em>&nbsp;d\u2019Aur\u00e9lien Dumont. Cr\u00e9ation : Le Vivat (Armenti\u00e8res) (Commande d\u2019\u00e9tat, du Quatuor B\u00e9la &amp; du Concertgebouw d\u2019Amsterdam). Concert : Auditorium du Grand Cahors (Cahors) (2020)<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_5400-web.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Vincent Dulom \/ Zhuohong Zang<\/em>, Espace M, Univ. Rennes 2, Rennes, France. Commissariat : John Cornu<br><\/mark><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-6&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-6-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-6\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>expositions collectives (s\u00e9lection) \/ group shows (selection)<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-6\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-6-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2026<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/DSC_0402.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Desenfocat, Una altra visio de l\u2019art<\/em>, CaixaForum, Barcelone, Espagne. Commissariat : Claire Bernardi &amp; Emilia Philippot, en partenariat avec Isabel Fuentes<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.frac-franche-comte.fr\/fr\/hors-limite\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Hors limites. Le dessin dans la collection du Frac<\/em>, FRAC Franche-Comt\u00e9, Besan\u00e7on. Commissariat : Sylvie Zavatta<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB_DSC_1208.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Plein comme un vide<\/em>, centre d\u2019art FECITtoolbox, Val-de-Vesle. Commissariat : Sophie Hasslauer<br><\/mark><\/a><em>Hommage \u00e0 Jos\u00e9 Tomasi<\/em>, Parc de Saleccia, L\u2019\u00efl-Rousse, Haute Corse. Commissaria : Linda Calderon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025-26<\/strong><br><a href=\"https:\/\/caixaforum.org\/es\/madrid\/p\/desenfocado-madrid\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Desenfocado, Otra vision del arte<\/em>, CaixaForum, Madrid, Espagne. Commissariat : Claire Bernardi &amp; Emilia Philippot, en partenariat avec Isabel Fuentes<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Depliant-de-lexposition-DANS-LE-FLOU-1.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Dans le flou, une autre vision de l\u2019art de 1945 \u00e0 nos jours<\/em>, Mus\u00e9e de l\u2019Orangerie, Paris, France. Commissariat : Claire Bernardi &amp; Emilia Philippot, en collaboration avec Juliette Degennes<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB_P1190117.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Igitur<\/em>, Galerie ETC, Paris, France. Commissariat : Thomas Benhamou et Camille Dendoncker<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><br><a href=\"https:\/\/www.bonisson.com\/bonisson-art-center\/lessismore\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Less is more<\/em>, Bonisson Art Center, Rognes, France. Commissariat : Christian Le Dorze (\u0153uvres du FRAC SUD)<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB_DSC_4525.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Dispersion.s<\/em>, Belleville Multiples, L\u2019ahah #Griset, Paris, France. Commissariat : Marguerite Pilven<br><\/mark><\/a><em>Dispersion.s<\/em>, Belleville Multiples, Villa Belleville, Paris, France. Commissariat : Marguerite Pilven<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/12044_Dossier-de-presse-Beautes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Beaut\u00e9s<\/em>, FRAC Auvergne, Clermont-Ferrand, France. Commissariat : Jean-Charles Vergne<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/commission-aide-individuelle-a-la-creation-2023.comme-un-cil-dans-loeil.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Comme un cil dans l\u2019oeil<\/em>, W, Paris, France. Commissariat : Clare Mary Puyfoulhoux<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/DSC_2163\u201423012701C150_2023_2_jet_d_encre_sur_toile_150x150x5cm_Galerie_ETC_Expo_Juillet_2023_WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Exposition de groupe<\/em>, Galerie ETC, Paris, France. Commissariat : Thomas Benhamou et Camille Dendoncker<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/DP-Promontoire.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Le promontoire du songe<\/em>, FRAC Auvergne, Clermont-Ferrand, France. Commissariat : Jean-Charles Vergne<br><\/mark><\/a><a href=\"https:\/\/julioartistrunspace.com\/portfolio\/assemblage-36-superlight\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Assemblage #36<\/em>, Superlight, Julio Artist-Run Space, Paris, France. Commissariat : l\u2019Approche<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021<\/strong><br><a href=\"https:\/\/galeriemicheljourniac.com\/50-50\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>50\/50<\/em>, Galerie Michel Journiac, \u00c9cole des arts de la Sorbonne, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019<\/strong><br><a href=\"https:\/\/latannerie.org\/expositions\/16-siecle\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Si\u00e8cle<\/em>, La Tannerie, B\u00e9gard, France. Commissariat : Franck Mas<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/itinerance12-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>#itinerance12<\/em>, Galerie Boulle, Paris, France. Commissariat : Jean-Fran\u00e7ois Declerq<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017<\/strong><br><a href=\"https:\/\/ddabretagne.org\/fr\/artistes\/jean-francois-leroy\/oeuvres\/de-biais-et-parfois-de-dos\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>De biais et parfois de dos<\/em>, Galerie Nicolas Silin, Paris, France. Commissariat : Jean-Fran\u00e7ois Leroy<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Deamin-des-laube-2-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Lieux de m\u00e9moire<\/em>, La paillasse &#8211; DDL\u2019A, Paris, France. Commissariat : Parand Danesh<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2016<\/strong><br><a href=\"https:\/\/www.ete78.com\/portfolio-item\/3-collectionneurs-autrement-3\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Autrement #3 chez \u00c9t\u00e9 78<\/em>, \u00c9t\u00e9 78, Bruxelles, Belgique. Commissariat : \u00c9t\u00e9 78, Odile Repolt &amp; Fran\u00e7ois Huet<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/01_063592b_gozard_1000x667px_72dpi_rvb_web.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Eid\u00f4lon<\/em>, Galerie Xenon, Bordeaux, France. Commissariat : Pl\u00e9omasm<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_1717-DEF-2-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Sophie Hasslauer<\/em>, Centre d\u2019art contemporain Passages, Troyes, France (invit\u00e9 par Sophie Hasslauer)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/Bord-2015-visuel-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>100 YEARS \u2013 100 ARTISTS<\/em>, H\u00f4tel de l\u2019Industrie, Paris, France. Commissariat : Sobering Galerie<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/1-\u00a9-Vincent-Dulom.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Surfaces sensibles<\/em>, Palais Abdellia, La Marsa, Tunisie. Commissariat : Afif Riahi &amp; Farah Khelil<br><\/mark><\/a><a href=\"https:\/\/www.dailymotion.com\/video\/x2q0wvv\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Sixi\u00e8me sens<\/em>, Vieille \u00c9glise Saint-Vincent, M\u00e9rignac, France. Commissariat : Le Mus\u00e9e Imagin\u00e9<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/carton-enlargeyourart.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Multiples et \u00e9ditions limit\u00e9es<\/em>, Enlarge your art, Bruxelles, Belgique.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Et-la-peinture-.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Et la peinture\u2026 ?<\/em>, galerie du jour &#8211; agn\u00e8s b, Paris, France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/carton-web.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Point de Fuite<\/em>, Galerie \u00e9ph\u00e9m\u00e8re Rhinoc\u00e9ros et Cie, Paris, France.<br><\/mark><\/a><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43889554d\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Plus une pi\u00e8ce, plus un multiple, Paris, France. Commissariat : Muriel Leray &amp; Elsa Werth<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/FL-Toujours-plus-01-WEB-\u00a9Aurelien-Mole.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Toujours +<\/em>, Florence Loewy\u2026 by artists, Paris, France. Commissariat : Muriel Leray &amp; Elsa Werth<br><\/mark><\/a><em>Phosph\u00e8ne<\/em>, Maison d\u2019Odile Repolt et de Fran\u00e7ois Huet, Bruxelles, Belgique. Commissariat : Pl\u00e9omasm<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/2014-Maison-Afforty-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Ailleurs<\/em>, Maison Afforty, Senlis, France<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-10LdeBabelDiff.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Lettres de Babel<\/em>, Atelier Laroche, Paris, France. Commissariat : Corinne Laroche &amp; Didier B\u00e9quillard<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/Photo-expo-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Unplugged<\/em>, Galerie Leonardo Agosti, S\u00e8te, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/DP-Nuit-Blanche-2013.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Nuit Blanche Paris 2013<\/em>&nbsp;(artiste associ\u00e9 &#8211;&nbsp;<em>L\u2019entre ciel<\/em>, Galerie Saint-S\u00e8verin), France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_4365.2-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Sans objet<\/em>, Diffraction Art Project, Montreuil, France. Commissariat : Koyo Hara<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-Bruxelles-2013-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>La rime et la raison<\/em>, L\u2019Escaut, Brussels, Belgique. Commissariat : label hypoth\u00e8se &amp; mpvite<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_8026-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Fondation<\/em>, Galerie Leonardo Agosti, S\u00e8te, France.<\/mark><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_9026-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Phosph\u00e8ne<\/em>, Rez de chauss\u00e9e, Bordeaux, France. Commissariat : Pl\u00e9onasm<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/LOuvert-1301050313010501-2013WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Surface<\/em>, Galerie Leonardo Agosti, S\u00e8te, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2012<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-IMG_2169.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Ath\u00e9matique<\/em>, Espace Brochage Express, Paris, France. Commissariat : JTV<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/2012-Unititled-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Untitled<\/em>, Bruxelles, Belgique. Commissariat : Val\u00e9rie Lambert &amp; Antony Morabito<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-L1090758.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>D\u2019une maison l\u2019autre<\/em>, chez Odile Repolt et Fran\u00e7ois Huet, Bruxelles, Belgique.<br><\/mark><\/a><em>Vid\u00e9oart<\/em>, Association Et Pourtant \u00c7a Tourne &amp; FRAC Corse, Ile Rousse, France.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2011<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_6103-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Incidents ma\u00eetris\u00e9s<\/em>, Espace de l\u2019Art Concret, Mouans-Sartoux, France. Commissariat : F. Fulch\u00e9ri<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-13-bis.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Une proposition<\/em>, Atelier kanal 20, Bruxelles, Belgique. Commissariat : kanal 20 \/ label hypoth\u00e8se \/ mpvite<br><\/mark><\/a><em>Vid\u00e9oart<\/em>, Association Et Pourtant \u00c7a Tourne &amp; FRAC Corse, Ile Rousse, France.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/DP-NB-2010.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Nuit Blanche Paris 2010<\/em>&nbsp;(artiste associ\u00e9), France. Commissariat : M. B\u00e9thenod<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/communique_de_presse_theoreme.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Th\u00e9or\u00e8me<\/em>, Galerie Bertrand Grimont, Paris, France.<\/mark><br><\/a><em>Vid\u00e9oart<\/em>, Association Et Pourtant \u00c7a Tourne &amp; FRAC Corse, Ile Rousse, France.<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/2010-Eugene-Beaudoin-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Construire sa lumi\u00e8re<\/em>, Espace d\u2019art contemporain Eug\u00e8ne Beaudouin, Antony, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/IMG_9919-web.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Nous ne vieillirons pas ensemble<\/em>, Galerie Nivet-Carzon, Paris, France. Commissariat : Label Hypoth\u00e8se<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laureat_Illuminators_Koltsovo_Airport_Yekaterinburg_Russie-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Illuminators<\/em>&nbsp;(concours international), A\u00e9roport Koltsovo, Yekaterinburg, Russie<\/mark>.<\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/MAC-Marseille-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Marseille Artistes Associ\u00e9s 1997-2007<\/em>, MAC, Mus\u00e9e d\u2019Art Contemporain, Marseille, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2007<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/2007-Vert-Saint-Denis-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>La ferme des arts<\/em>, Vert-Saint-Denis, France. Commissariat : Jennifer Douzenel<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1996<\/strong><br>Palazzu Naziunale, Corte, France.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1988<\/strong><br>Palais Universitaire, Strasbourg, France.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-7&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-7-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-7\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>foires \/ art fairs<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-7\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-7-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2025<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/vue-du-stand-\u00a9-Nicolas-Brasseur.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Drawing Now Art Fair<\/em>, Galerie ETC. (Paris), Carreau du Temple, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Art-rotterdam.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Art Rotterdam<\/em>, Galerie ETC. (Paris), Rotterdam, Pays-Bas.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/photo-stand.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Art Paris<\/em>, Galerie ETC., Grand Palais \u00e9ph\u00e9m\u00e8re, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/191-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Rendez-Vous \u00e0 Saint-Briac 2023<\/em>, Capsule Galerie (Rennes), Saint-Briac-sur-Mer, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/programme-saint-briac.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Rendez-Vous \u00e0 Saint-Briac 2022<\/em>, Capsule Galerie (Rennes), Saint-Briac-sur-Mer, France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/93.jpeg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Drawing market<\/em>&nbsp;(pop-up d\u2019\u00e9ditions d\u2019artistes), Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/Photo-stand-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>YIA Art Fair Paris<\/em>, Carreau du Temple,&nbsp;<em>100 YEARS \u2013 100 ARTISTS<\/em>, Sobering Galerie, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/communication-YIA-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>YIA Art fair<\/em>, Espace commines, Galerie Leonardo Agosti, Paris, France.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Phto-WEB-Slick.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Slick Art Fair Brussels<\/em>, Slick Project (solo), Galerie Leonardo Agosti, Bruxelles, Belgique.<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/dp_ART_PARIS_ART_FAIR_2013fr_bd.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Art Paris &#8211; section \u00ab&nbsp;promesses&nbsp;\u00bb<\/em>, Galerie Leonardo Agosti, Paris, France.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2009<\/strong><br><em>Artvilnius 09<\/em>, Galerie Nivet Carzon, Vilnius, Lituanie.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-8&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-8-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-8\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>r\u00e9sidence \/ residence<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-8\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-8-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2017<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/229-WEB-Deambulation-Jespers-performance-60-40.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Atelier Jespers, Bruxelles, Belgique.<\/mark><\/a><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-9&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-9-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-9\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>prix, allocation \/ prizes, allocation<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-9\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-9-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><br>Allocation d\u2019installation de l\u2019atelier &#8211; achat de mat\u00e9riel (DRAC Ile-de-France), France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015<\/strong><br>Allocation d\u2019installation de l\u2019atelier &#8211; achat de mat\u00e9riel (DRAC Ile-de-France), France<br>Bourse d\u2019aide \u00e0 la cr\u00e9ation, Fr\u00e9d\u00e9ric de Goldschmidt, Belgique<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br>Bourse d\u2019aide \u00e0 la cr\u00e9ation, Fonds de dotation agn\u00e8s b, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013<\/strong><br>Nomm\u00e9 pour le Prix Talent contemporain, Fondation Fran\u00e7ois Schneider, Fondation de France, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2009<\/strong><br>Allocation d\u2019installation de l\u2019atelier (DRAC Ile-de-France), France<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-10&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-10-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-10\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>commande publique \/ public order<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-10\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-10-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2011<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Projet-AZF.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Nomm\u00e9 pour la r\u00e9alisation d\u2019une \u0153uvre d\u2019art comm\u00e9morant la catastrophe d\u2019AZF, Toulouse, France<br>(dossier du concours &#8211; PDF)<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laureat_Illuminators_Koltsovo_Airport_Yekaterinburg_Russie-scaled.jpg\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laureat_Illuminators_Koltsovo_Airport_Yekaterinburg_Russie-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Laur\u00e9at du concours&nbsp;<em>Illuminators<\/em>, A\u00e9roport Koltsovo, Yekaterinburg, Russie<br><\/mark><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-11&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-11-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-11\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>principales collections \/ main collections<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-11\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-11-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2025<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/Sans-Titres_-3-Acquisitions_FRAC_Franche-Comte_WEB.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Fonds R\u00e9gional d\u2019Art Contemporain &#8211; Franche-Comt\u00e9 (FRAC Franche-Comt\u00e9), Besan\u00e7on, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/Fondation-Pascaline-Mulliez.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Fondation Pascaline Mulliez<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/FRAC-Auvergne-Acquisitions-2022.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Fonds R\u00e9gional d\u2019Art Contemporain &#8211; Auvergne (FRAC Auvergne), Clermont-Ferrand, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Peinture-adossee-1812300418123001-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Fonds R\u00e9gional d\u2019Art Contemporain &#8211; Provence Alpes C\u00f4te d\u2019Azur (FRAC PACA), Marseille, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015<\/strong><br>Collection Fr\u00e9d\u00e9ric de Goldschmidt, Belgique<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/09\/Collection-agnes-b-WEB.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Collection agn\u00e8s b, Paris<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><br>Fondation Museo de la Estampa y del Diseno Carlos Cruz-Diez, Caracas, Venezuela<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laureat_Illuminators_Koltsovo_Airport_Yekaterinburg_Russie-scaled.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">A\u00e9roport Koltsovo, Yekaterinburg, Russie<br><\/mark><\/a><br>+ collections priv\u00e9es en Allemagne, Belgique, France, USA.<br>+ private collections in Germany, Belgium, France, USA.<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/articles_travail.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/articles_travail.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">T\u00c9L\u00c9CHARGER UNE SELECTION D&rsquo;ARTICLES SUR VINCENT DULOM (FR-EN)<\/mark><\/a><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-12&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-12-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-12\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>publications sur le travail (s\u00e9lection) \/ publications on work (selection)<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-12\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-12-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2026<\/strong><br><a href=\"https:\/\/www.rtve.es\/play\/videos\/metropolis\/desenfocado\/16921003\/\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Desinfocado<\/em>,&nbsp;<em>M\u00e9tropolis<\/em>&nbsp;n\u00b01610, \u00a9 rtve 2016, R\u00e9al. R. Domingo &amp; J. Lopez, 32min39s \/ diff. La 2 \u2014 rtve, 03.02.2026<br>https:\/\/www.rtve.es\/play\/videos\/metropolis\/desenfocado\/16921003\/<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\"><br><\/mark>Jean-Charles Vergne, \u00ab&nbsp;Extravagancia del mon, bogeria de la realitat,&nbsp;\u00bb, livre de l\u2019exposition&nbsp;<em>Desenfocat, Una altra visio de l\u2019art<\/em>, dir. Claire Bernardi, Emilia Philippot, Mus\u00e9e de l\u2019Orangerie, Atelier EXB, 2025. pp. 216-220 + Cat.15, pp. 72-73 (ISBN 978-84-10024-91-5)<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>2025<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Dansleflou.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Dansleflou.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Jean-Charles Vergne, \u00ab&nbsp;Extravagance du monde, folie du r\u00e9el&nbsp;\u00bb, livre de l\u2019exposition&nbsp;<em>Dans le flou, une autre vision de l\u2019art de 1945 \u00e0 nos jours<\/em>, dir. Claire Bernardi, Emilia Philippot, Mus\u00e9e de l\u2019Orangerie, Atelier EXB, 2025. pp. 262-266 + Cat.26, pp. 98-99<\/mark><\/a> <a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Dansleflou.pdf\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">(ISBN 978-2-35433-406-2)<\/mark><\/a><br>Jean-Charles Vergne, \u00ab&nbsp;Extravagancia del mundo, locura de la realidad,&nbsp;\u00bb, livre de l\u2019exposition&nbsp;<em>Desenfocado, Otra vision del arte<\/em>, dir. Claire Bernardi, Emilia Philippot, Mus\u00e9e de l\u2019Orangerie, Atelier EXB, 2025. pp. 216-220 + Cat.15, pp. 72-73 (ISBN 978-84-10024-87-8)<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Depliant-de-lexposition-DANS-LE-FLOU.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Depliant-de-lexposition-DANS-LE-FLOU.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">D\u00e9pliant de l\u2019exposition&nbsp;<em>Dans le flou, une autre vision de l\u2019art de 1945 \u00e0 nos jours<\/em>, commissariat : Claire Bernardi, Emilia Philippot avec Juliette Degennes, Mus\u00e9e de l\u2019Orangerie<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Brochure-of-the-exhibition-OUT-OF-FOCUS.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Brochure-of-the-exhibition-OUT-OF-FOCUS.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Brochure of the exhibition&nbsp;<em>Out of focus<\/em>, commissariat Claire Bernardi, Emilia Philippot avec Juliette Degennes, Mus\u00e9e de l\u2019Orangerie<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-Dansleflou.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-Dansleflou.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Laurent Boudier,&nbsp;<em>Le Flou Artistique<\/em>, TTTT,&nbsp;<em>Dans le flou. Une autre vision de l\u2019art de 1945 \u00e0 nos jours<\/em>, 04\/06\/25,&nbsp;<em>T\u00e9l\u00e9rama Sortir<\/em>&nbsp;3934, p.13<\/mark><\/a><br>Val\u00e9rie Gaget,&nbsp;<em>Sept nuances de flou au mus\u00e9e de l\u2019Orangerie pour une autre vision de l\u2019art<\/em>, France Info : Culture, publi\u00e9 le 01\/05\/2025<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/ID-27-ARTS.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/ID-27-ARTS.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Thierry Leroux,&nbsp;<em>L\u2019art de voir, aux lisi\u00e8res du r\u00e9el<\/em>,&nbsp;<em>L\u2019Information Dentaire<\/em>, n\u00b027, 9 juillet 2025, pp. 45-46<\/mark><\/a><br><em>La BF15 2025-20<\/em>15 (\u00e9dition r\u00e9trospective), dir. Perrine Lacrois, Florence Meyssonnier, LaBF15, 2025 (ISBN 979-10-978366-0-3)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-EveGramatzkiVincentDulom.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-EveGramatzkiVincentDulom.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Laurent Boudier, Eve Gramatzki \/ Vincent Dulom, Expo TTT,&nbsp;<em>T\u00e9l\u00e9rama Sortir<\/em>, 8 janvier-14 janvier 2024, n\u00b03913<br><\/mark><\/a><em>Eve Gramatzki et Vincent Dulom chez ETC.<\/em>,&nbsp;<em>Art Critique<\/em>, publi\u00e9 le 2 d\u00e9cembre 2024 \u00e0 9h00<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Maud-de-la-Forterie-FR-EN.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Maud-de-la-Forterie-FR-EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Maud de la Forterie,&nbsp;<em>Vincent Dulom, Du temps \u00e0 l\u2019autre<\/em>,&nbsp;<em>artpress<\/em>, n\u00b0518, F\u00e9vrier 2024, p.79 (FR-EN)<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Julie-Chaizemartin.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Julie-Chaizemartin.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Julie Chaizemartin,&nbsp;<em>Des soleils qui se l\u00e8vent<\/em>,&nbsp;<em>Transfuge<\/em>, n\u00b0174, janvier 2024, p.114<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-Dutempsalautre.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-Dutempsalautre.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Laurent Boudier,&nbsp;<em>Vincent Dulom, Du temps \u00e0 l\u2019autre<\/em>, Expo TTT,&nbsp;<em>T\u00e9l\u00e9rama Sortir<\/em>, 10 janvier-16 janvier 2024, n\u00b03861<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark>Anne-C\u00e9cile Sanchez,&nbsp;<em>8 expos \u00e0 voir en janvier 2024<\/em>, projet.m\u00e9dia, 4 janvier 2024<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Anne-Cecile-Sanchez.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Anne-Cecile-Sanchez.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Jeanne Mathas,&nbsp;<em>[Dans l\u2019atelier avec \u2026] Vincent Dulom<\/em>, Instagram Jeanne raconte, 6 f\u00e9vrier 2024<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/catalogue_etc.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Vincent Dulom &#8211; Du temps \u00e0 l\u2019autre<\/em>, Catalogue, 66 pages, Edition ETC, 2023 (ISBN 978-2-9566687-3-2)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Jean-Charles Vergne,&nbsp;<em>Beaut\u00e9s<\/em>, catalogue, Editions FRAC Auvergne, 2023, pp. 226-229<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"> (ISBN 978-2-907672-37-5<\/a>)<\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-Beautes.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Franck-Mas-pourledireavincent.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Franck-Mas-pourledireavincent.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Franck Mas,&nbsp;<em>Pour le dire \u00e0 Vincent<\/em>, Paris, France, 2023<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-LePromontoiredusonge.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-LePromontoiredusonge.pdf\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Jean-Charles Vergne,&nbsp;<em>Le Promontoire du songe<\/em>, catalogue, Editions FRAC Auvergne, 2022, pp. 4, 102-109 (ISBN 978-2-907672-35-1<\/mark><\/a>)<a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-LePromontoiredusonge.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Jean-Charles-Vergne-LePromontoiredusonge.pdf\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><\/a><a href=\"https:\/\/podcast.ausha.co\/cartels\/s03e17-vincent-dulom\" data-type=\"link\" data-id=\"https:\/\/podcast.ausha.co\/cartels\/s03e17-vincent-dulom\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Jean-Charles Vergne,&nbsp;https:\/\/podcast.ausha.co\/cartels\/s03e17-vincent-dulom, 17min, FRAC Auvergne, France<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><a href=\"https:\/\/podcast.ausha.co\/cartels\/s03e17-vincent-dulom\" data-type=\"link\" data-id=\"https:\/\/podcast.ausha.co\/cartels\/s03e17-vincent-dulom\"><br><\/a><\/mark><a href=\"https:\/\/www.youtube.com\/watch?v=tY7UmjIrj_s\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=tY7UmjIrj_s\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Tracer le peu&nbsp;\u00bb &#8211; Vincent Dulom<\/em>, vid\u00e9o d\u2019Y. Samandova et B. Zarevski, 2mn27s,<\/mark><\/a>&nbsp;<a href=\"https:\/\/www.youtube.com\/watch?v=tY7UmjIrj_s\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">https:\/\/www.youtube.com\/watch?v=tY7UmjIrj_s<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Clare-Mary-Puyfoulhoux-TracerlepeuFR-EN.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Clare-Mary-Puyfoulhoux-TracerlepeuFR-EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Clare-Mary Puyfoulhoux,&nbsp;<em>Tracer le peu<\/em>, texte (et blog) de&nbsp;<em>Tracer le peu<\/em>, L\u2019ahah #Moret 2022, Paris, France (FR-EN)<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Muriel-Leray-Reponsesdelamatiere.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Muriel-Leray-Reponsesdelamatiere.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Muriel Leray,&nbsp;<em>R\u00e9ponses de la mati\u00e8re<\/em>, (suite \u00e0&nbsp;<em>Tracer le peu<\/em>, L\u2019ahah #Moret 2022), Paris, France<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Stephane-Carrayrou-.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Stephane-Carrayrou-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">St\u00e9phane Carrayrou,&nbsp;<em>premier regard sur l\u2019espace<\/em>, (suite \u00e0&nbsp;<em>Tracer le peu<\/em>, L\u2019ahah #Moret 2022), Paris, France<\/mark><\/a><br><br><strong>2020<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Fragments.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Fragments.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Claire Chesnier,&nbsp;<em>Fragments d\u2019une d\u00e9position<\/em>&nbsp;(extrait), Paris, 2010<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Marie-Cantos-aproposdePerceeFR-EN-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Marie Cantos,&nbsp;<em>Sans titre [\u00e0 propos de<\/em> <em>Perc\u00e9e<\/em>], L\u2019ahah #Griset &amp; #Moret 2019, Paris, France (FR-EN)<br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Marie-Cantos-FR-EN-communiquedepresse.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Marie-Cantos-FR-EN-communiquedepresse.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Marie Cantos,&nbsp;<em>Communiqu\u00e9 de presse de Perc\u00e9e<\/em>, L\u2019ahah #Griset &amp; #Moret 2019, Paris, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Ludovic-Delalande.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Ludovic-Delalande.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Ludovic Delalande,&nbsp;<em>L\u2019art dans les chapelles<\/em>, catalogue, imprimerie clo\u00eetre, Landerneau, France, 2018, p.39<br><\/mark><\/a><em>L\u2019art dans les chapelles<\/em>, 27e \u00e9dition, livret, imprimerie clo\u00eetre, Landerneau, France, 2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2016<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Buno-Trentini.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Buno-Trentini.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Bruno Trentini,&nbsp;<em>Du juste \u00e9cart chez Vincent Dulom<\/em><br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Cecile-Gremillet.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Cecile-Gremillet.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">C\u00e9cile Gremillet,&nbsp;<em>Vincent Dulom, La claire-voie<\/em>, juin 2016<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2015<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/08\/WEB-LaBF15.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>La BF15 2015-2004<\/em>&nbsp;(\u00e9dition r\u00e9trospective), dir. Perrine Lacrois, Florence Meyssonnier, La BF15, Lyon, 2015<br><\/mark><\/a><em>E-Fest \/ Surfaces sensibles<\/em>, Catalogue, Tunis, Tunisie, 2015<br><em>Phoesph\u00e8ne<\/em>, Catalogue, Pl\u00e9onasm-Hauteurs d\u2019expositions, Copy M\u00e9dia, 2015 (ISBN 978-2-2552836-0-8)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2014<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/la-dispute-et-la-peinture.m4a\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/la-dispute-et-la-peinture.m4a\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Et la peinture\u2026 ?<\/em>, France Culture \/ La Dispute by Arnaud Laporte \/ with C. Rondeau and F. Bonnet<br><\/mark><\/a><a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43889554d\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Plus une pi\u00e8ce, plus un multiple<\/em>, Catalogue Ed. Keep Thinking, Pixartprinting, Quarto d\u2019Altino, Italie (ISBN 978-2-9550024-0-7<\/mark><\/a>)<a href=\"https:\/\/catalogue.bnf.fr\/ark:\/12148\/cb43889554d\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-ETLAPEINTURE.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Laurent-Boudier-ETLAPEINTURE.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Et la peinture\u2026 ?<\/em>,&nbsp;<em>T\u00e9l\u00e9rama sortir<\/em>, f\u00e9vrier 2014, Expo TT, Laurent Boudier<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2013<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/CIC_livret_VDulom.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/CIC_livret_VDulom.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Muriel Leray,&nbsp;<em>Vertus de la p\u00e9nurie<\/em>, livret exp.&nbsp;<em>D\u00e9dale<\/em>, \u00c9dition CIC &amp; Dock\u2019s Art Fair, Lyon, 2013 (FR-EN)<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"> <br><\/mark>Vincent Dulom \u00e0 l\u2019occasion de la DockArt Fair, interview G. Beaussier, radio Lyon 1\u00e8re, France<br>Vincent Dulom \u00e0 La BF15, interview Ga\u00eble Beaussier, radio Lyon 1\u00e8re, France<br>Interview \u00e0 l\u2019occasion de&nbsp;<em>L\u2019entre-Ciel<\/em>, galerie Saint-S\u00e8verin, B. Zarevski &amp; I. Samandova, bARuT, France, 2013<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Geraldine-Dufournet.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Geraldine-Dufournet.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">G\u00e9raldine Dufournet,&nbsp;<em>Vincent Dulom &#8211; L\u2019entre-ciel<\/em><\/mark><\/a><br><a href=\"http:\/\/voir-et-dire.net\/\" data-type=\"link\" data-id=\"http:\/\/voir-et-dire.net\/\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Vincent Dulom,&nbsp;<em>L\u2019entre-ciel<\/em>,&nbsp;http:\/\/voir-et-dire.net\/, France<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Nartex.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Nartex.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Installation&nbsp;<em>l\u2019entre-ciel<\/em>&nbsp;\u00e0 la galerie St S\u00e9verin,&nbsp;<em>Narthex<\/em>, France<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><em>Petits espaces, grandes expos cet \u00e9t\u00e9 \u00e0 Lyon<\/em>, rue89lyon, France<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Fabienne-Fulcheri-FR-EN.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Fabienne-Fulcheri-FR-EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Fabienne Fulch\u00e9ri,&nbsp;<em>J\u2019ai tout donn\u00e9 au soleil&#8230; <\/em>(FR-EN)<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>2011<\/strong><br><em>Parcours d\u2019\u00ab&nbsp;Incidents&nbsp;\u00bb<\/em>, H-F Debailleux, next.liberation.fr, 2011<br><a href=\"http:\/\/vimeo.com\/25124723\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Interview de Vincent Dulom \u00e0 l\u2019Espace de l\u2019Art Concret, par Ombeline Bredow, 4min36s, Espace de l\u2019art concret, Mouans-Sartoux, 2011.&nbsp;<\/mark><\/a><a href=\"http:\/\/vimeo.com\/25124723\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">http:\/\/vimeo.com\/25124723<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Agnes-Birebent.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Agnes-Birebent.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Agn\u00e8s Birebent, <em>L\u2019ombre perdue de la lumi\u00e8re, Vincent Dulom \u00e0 Mouans-Sartoux :&nbsp;Les deux temps d\u2019une oeuvre<\/em>, Texte pr\u00e9sent\u00e9 \u00e0 l\u2019occasion de l\u2019exposition <em>Incidents Ma\u00eetris\u00e9s<\/em>, Espace de l\u2019Art Concret, Mouans-Sartoux, janvier-juin 2011<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/plaquette-pour-le-web-HD.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/plaquette-pour-le-web-HD.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Vincent Dulom<\/em>, \u00c9d. La fabrique \/ UTM, CIAM, Toulouse, 2010<\/mark><br><\/a><em>Nous ne vieillirons pas ensemble<\/em>, \u00c9d. label hypoth\u00e8se, Paris, 2010, p.48<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Claire Chesnier,&nbsp;<em>A l\u2019ombre d\u2019un doute <\/em><\/mark><\/a><strong><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">(<\/a><\/mark><\/strong><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Claire-Chesnier-Alombredundoute-FR-EN-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">FR-EN)<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><br><em>Illuminators<\/em>, \u00c9d. A\u00e9roport Koltsovo &#8211; Artpolitika, Yekaterinburg, Russie, 2008, p.43<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Evelyne-Bennati.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Evelyne-Bennati.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Evelyne Bennati,&nbsp;<em>Espac\u00e9 d\u2019ombre<\/em>, paris-art.com<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Stephane-Lecomte-.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Stephane-Lecomte-.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">St\u00e9phane Lecomte,&nbsp;<em>Vincent Dulom et la peinture<\/em><\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><br><\/mark><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Sophie-Coiffier.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Sophie-Coiffier.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Sophie Coiffier,&nbsp;<em>Vincent Dulom &#8211; Espac\u00e9 d\u2019ombre<\/em><\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2007<\/strong><br><em>Marseille Associ\u00e9s 1977-2007<\/em>, Mus\u00e9es de Marseille &#8211; \u00c9d. Archibooks, 2007, p.217 (ISBN 978-2-915639&#8211;81-0)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2005<\/strong><br><em>Lenticulaires d\u2019ombres<\/em>, pr\u00e9sentation de l\u2019exposition, reportage 12 min, T.L.T<br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/film-expo-lenticulaires-dombres-2005.mov\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/film-expo-lenticulaires-dombres-2005.mov\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Film de l&rsquo;exposition Vincent Dulom &#8211; Lenticulaires d\u2019ombres<\/em>. R\u00e9al. Arlette Mali\u00e9, Fran\u00e7ois Turgis, 2&rsquo;54\u00a0\u00bb, Prod. Espace III &#8211; Espace Croix Baragnon, 2005.<\/mark><\/a><br>Annonce de l\u2019exposition,&nbsp;<em>Beaux-Arts Magazine<\/em>&nbsp;n\u00b0258, d\u00e9c. 2005, p.136<br><em>\u00c0 l\u2019ombre de Vincent Dulom<\/em>,&nbsp;<em>La D\u00e9p\u00e8che du Midi<\/em>, Week-end, 10\/11\/05 n\u00b0311, p.3<br><em>Installation de Vincent Dulom<\/em>,&nbsp;<em>Toulouse cultures<\/em>&nbsp;n\u00b0222, nov.\/d\u00e9c. 2005, p.11<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1997<\/strong><br><em>Le passage<\/em>, reportage 4min, France 3 R\u00e9gion Corse<br><em>Le silence de la peinture<\/em>, Corse-Matin, avril 1997<br><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-13&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-13-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-13\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>journ\u00e9e d\u2019\u00e9tude sur le travail \/ study day on work<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-13\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-13-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br>(28-01\/2010)&nbsp;<em>\u00ab&nbsp;Apparition \/ Disparition&nbsp;\u00bb : autour de l\u2019exposition de Vincent Dulom : L\u2019\u00e9cart\u00e9 d\u2019ombre<\/em>, Journ\u00e9e d\u2019\u00e9tude organis\u00e9e par d\u00e9partement Art de l\u2019Universit\u00e9 Toulouse II le Mirail, France.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-14&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-14-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-14\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>conf\u00e9rences \/ conferences<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-14\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-14-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><br><a href=\"https:\/\/slash-paris.com\/fr\/evenements\/evanescences-conversation-entre-olivier-dadoun-enrico-bertelli-et-vincent-dulom\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00c9vanescences<\/em>, conversation O. Dadoun (physicien), E. Bertelli et V. Dulom (artistes), L\u2019ahah, Paris, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019<\/strong><br><a href=\"https:\/\/www.cnap.fr\/rencontre-entre-vincent-dulom-et-lea-bismuth\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Rencontre entre L\u00e9a Bismuth et Vincent Dulom<\/em>, L\u2019ahah, Paris, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017<\/strong><br>S\u00e9minaire&nbsp;<em>\u00ab&nbsp;Entretien d\u2019artistes&nbsp;\u00bb<\/em>, invitation de J. Cornu, Univ. Rennes 2, FRAC Bretagne, Rennes, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/un-archer-dans-le-brouillard.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>Un archer dans le brouillard<\/em>, Journ\u00e9e d\u2019\u00e9tude&nbsp;<em>\u00ab&nbsp;Apparition \/ Disparition&nbsp;\u00bb<\/em>, Univ. Tlse II le Mirail, Toulouse, France<br><\/mark><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/le_passeur_de_peinture.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-purple-color\">T\u00c9L\u00c9CHARGER UN RECUEIL DE TEXTES DE VINCENT DULOM (2005 &#8211; 2025)<\/mark><\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-15&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-15-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-15\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>publications personnelles \/ personal publications<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-15\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-15-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2025<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/le_passeur_de_peinture.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Le passeur de peinture&nbsp;\u00bb<\/em>&nbsp;(textes sur la peinture \u00e9crits entre 2005 et 2025)<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/La-Beautes-de-la-Peinture-texte-publie.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;La beaut\u00e9(s) de la peinture&nbsp;\u00bb<\/em>,&nbsp;<em>Beaut\u00e9(s)<\/em>&nbsp;(Est\u00e8la Alliaud, Claire Chesnier, Philippe Descola, Vincent Dulom, Fabrice Lauterjung, Yves le Fur, Yves Michaud, Camille Saint-Jacques, Armelle de Sainte-Marie, Michel Tr\u00e9voz, Jean-Charles Vergne), sous la co-direction d\u2019\u00c9ric Such\u00e8re, de Camille Saint-Jacques et de Fran\u00e7ois-Marie Deyrolle, Ed. L\u2019Atelier contemporain &amp; FRAC Auvergne, Collection&nbsp;<em>\u00ab&nbsp;Beaut\u00e9s&nbsp;\u00bb<\/em>, 2023, pp. 71-87 (ISBN 978-2-85035-099-3)<\/mark><\/a><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Un-corps-au-regard-De-la-peinture-FR-EN.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Un corps au regard &#8211; De la peinture&nbsp;\u00bb<\/em>, catalogue&nbsp;<em>Vincent Dulom &#8211; Du temps \u00e0 l\u2019autre<\/em>, Edition ETC, 2023, pp. 56-57 (FR-EN)<\/mark><\/a><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>2017<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Enquete-peinture-et-numerique-Vincent-Dulom.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;La peinture confront\u00e9e au num\u00e9rique : r\u00e9ponses \u00e0 un questionnaire &#8211; Vincent Dulom&nbsp;\u00bb<\/em>,&nbsp;<em>Pratiques picturales : Allumer \/ \u00c9teindre : la peinture confront\u00e9e au num\u00e9rique<\/em>, Num\u00e9ro 04, d\u00e9cembre 2017<\/mark><\/a><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"> <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">(texte seul)<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">&nbsp;<\/mark><a href=\"https:\/\/pratiques-picturales.net\/article42.html\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">https:\/\/pratiques-picturales.net\/article42.html<\/mark><\/a> (site)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2012<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Fragment-dune-deposition-sur-la-peinture-de-Claire-Chesnier.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Fragments d\u2019une d\u00e9position &#8211; sur la peinture de Claire Chesnier&nbsp;\u00bb<\/em>, catalogue Claire Chesnier, Paris, Galerie du Jour &#8211; Agnes b.<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/un-archer-dans-le-brouillard.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Un archer dans le brouillard &#8211; Du geste du peintre au miracle de la peinture&nbsp;\u00bb<\/em>&nbsp;(2006). (Texte lu le 28 janvier 2010, lors de la journ\u00e9e d\u2019\u00e9tude li\u00e9e \u00e0 l\u2019exposition&nbsp;<em>L\u2019\u00e9cart\u00e9 d\u2019ombre<\/em>&nbsp;\u2014 La Fabrique, Galerie d\u2019art contemporain de l\u2019Universit\u00e9 Toulouse II le Mirail)<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2008<\/strong><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Propos-entrecoupes-sur-la-peinture.pdf\" data-type=\"link\" data-id=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Propos-entrecoupes-sur-la-peinture.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><br><\/a><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/Propos-entrecoupes-sur-la-peinture.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\"><em>\u00ab&nbsp;Propos entrecoup\u00e9s sur la peinture&nbsp;\u00bb<\/em>,&nbsp;<em>L\u2019art qui manifeste<\/em>, sous la direction d\u2019Anne Larue, Paris, L\u2019Harmattan, 2008, pp.147-150<br><\/mark><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-16&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-16-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-16\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>ateliers \/ workshops<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-16\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-16-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>2010<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/videoWorshopDSAAToulouse2010.mp4\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">Workshop \/ DSAA (1\u00e8re &amp; 2eme ann\u00e9e), atelier + exposition, Lyc\u00e9e des Ar\u00e8nes, Toulouse, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2007<\/strong><br><a href=\"https:\/\/www.vincentdulom.com\/editorial\/wp-content\/uploads\/2026\/07\/travaux-workshop-Vert-Saint-Denis.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#000084\" class=\"has-inline-color\">La ferme des arts, \u00c9cole maternelle de Vert-Saint-Denis, Vert-Saint-Denis, France<\/mark><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1997<\/strong><br>Ateliers images, Mus\u00e9e anthropologique de la Corse, Corte, France<br>Atelier, Centre Multim\u00e9dia de la Corse, Corte, France<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div data-wp-context=\"{ &quot;autoclose&quot;: false, &quot;accordionItems&quot;: [] }\" data-wp-interactive=\"core\/accordion\" role=\"group\" class=\"wp-block-accordion is-layout-flow wp-block-accordion-is-layout-flow\">\n<div data-wp-class--is-open=\"state.isOpen\" data-wp-context=\"{ &quot;id&quot;: &quot;accordion-item-17&quot;, &quot;openByDefault&quot;: false }\" data-wp-init=\"callbacks.initAccordionItems\" data-wp-on-window--hashchange=\"callbacks.hashChange\" class=\"wp-block-accordion-item is-layout-flow wp-block-accordion-item-is-layout-flow\">\n<h3 class=\"wp-block-accordion-heading\"><button aria-expanded=\"false\" aria-controls=\"accordion-item-17-panel\" data-wp-bind--aria-expanded=\"state.isOpen\" data-wp-on--click=\"actions.toggle\" data-wp-on--keydown=\"actions.handleKeyDown\" id=\"accordion-item-17\" type=\"button\" class=\"wp-block-accordion-heading__toggle\"><span class=\"wp-block-accordion-heading__toggle-title\"><strong>enseignement \/ teaching<\/strong><\/span><span class=\"wp-block-accordion-heading__toggle-icon\" aria-hidden=\"true\">+<\/span><\/button><\/h3>\n\n\n\n<div inert aria-labelledby=\"accordion-item-17\" data-wp-bind--inert=\"!state.isOpen\" id=\"accordion-item-17-panel\" role=\"region\" class=\"wp-block-accordion-panel is-layout-flow wp-block-accordion-panel-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>depuis 2002<\/strong><br>Universit\u00e9 Paris I Panth\u00e9on-Sorbonne, \u00c9cole des arts de la Sorbonne, Paris, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1997 \/ 2002<\/strong><br>Universit\u00e9 Toulouse II Le Mirail, D\u00e9partement Arts, Toulouse, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1994 \/ 1997<\/strong><br>Universit\u00e9 de Corse, D\u00e9partement Art, Corte, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en 1965 \u00e0 Bagn\u00e8res-de-Bigorre, Vincent Dulom vit et travaille \u00e0 Paris. Il est soutenu par L\u2019ahah (Paris).&nbsp;www.lahah.fr Born in 1965 in Bagn\u00e8res-de-Bigorre, Vincent Dulom lives and works in Paris. He is supported by L\u2019ahah (Paris).&nbsp;www.lahah.fr T\u00c9L\u00c9CHARGER LE CV \/ DOWNLOAD THE CV T\u00c9L\u00c9CHARGER LE DOSSIER D\u2019ARTISTE \/ DOWNLOAD THE ARTIST FILE T\u00c9L\u00c9CHARGER UN CATALOGUE [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-537","post","type-post","status-publish","format-standard","hentry","category-biographie"],"_links":{"self":[{"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/posts\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":477,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/posts\/537\/revisions"}],"predecessor-version":[{"id":1555,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/posts\/537\/revisions\/1555"}],"wp:attachment":[{"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/media?parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/categories?post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.vincentdulom.com\/editorial\/wp-json\/wp\/v2\/tags?post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}